Irene Molina & Jaime Urdiales What remains of the Real, where material traces and memory bring together the work of Irene Molina and Jaime Urdiales, is an exhibition featuring two contemporary Spanish artists whose practices intersect through a shared concern with how memory and identity are shaped, stored, and reimagined within the digital age. Blurring the boundary between the real and the artificial, Molina constructs hybrid landscapes and objects that exist between material and virtual space. Through processes such as photogrammetry, 3D printing, and digital animation, she transforms technical glitches and digital errors into art - materialising the fleeting, impermanent moments that usually disappear on our screens.
Urdiales, meanwhile, uses nostalgia and mass culture to reveal how we take solace in memories or imagery of the past - neon signs, billboards, toys, and commercial icons - allowing him to create his own visual language through oil paint.
Together, the artists create a dialogue: where Molina materialises the virtual, giving body to what technology forgets, Urdiales humanises the artificial, tracing the emotional residues of culture. Both ask us to consider what it means to remember - how memory survives, shifts, and transforms in a world where the digital and present always overwrites the past.
Email to enquire or request a catalogue What remains of the Real
We are thrilled to be exhibiting at the Enari Gallery in Amsterdam, alongside their group show CLICK, CLICK, CLICK.
See more of their exhibition further below …..
The Enari Gallery present CLICK CLICK CLICK, IS a group exhibition featuring Camille Theodet, Anja Rausch, and Jingyan Ding. The show brings together three artists whose practices probe the shifting threshold between the digital and the physical. In an era marked by endless clicking, scrolling, capturing, and reproducing, the exhibition explores how images, objects, and identities are continuously built, broken apart, and reshaped across virtual and material worlds.
Anja Rausch translates the coded structures of digital imagery into painterly abstractions. Her fluid, evolving forms evoke the concealed architectures of computational systems, turning data into living visual entities that hover between precision and dissolution.
Drawing on Taoist and Buddhist thought, Jingyan Ding explores themes of time and transformation to question the boundaries of self within virtual realms. His paintings meditate on the formless and the infinite, envisioning a space where the material and the illusory continually intertwine.
Camille Theodet assembles fragmented found images into collaged compositions that unfold as shifting, unstable narratives. Through layered surfaces, he navigates themes of innocence, chaos, destruction, and renewal, revealing the alluring yet volatile character of visual culture in an age of perpetual reproduction.
CLICK CLICK CLICK considers the ways in which images and technology mediate reality, and how the simple, habitual act of looking, of clicking, redefines the relationship between perception, presence, and the real.
Contact enquiry@enari.gallery to enquire or to receive a catalogue 
